SMC 2019 Scientific Program

SMC 2019 Scientific Program is already available. You can download a summary in PDF format HERE.

There is also available a small book that includes the SMC 2019 Program and Abstracts.

WEDNESDAY, MAY 29

ORAL SESSION S1. Sonic interactions Wednesday, May 29 (11:30- 13.00) Session Chair: Stefania Serafin
S1.1. Towards a High-Performance Platform for Sonic Interaction Interfaces Stefano Fasciani and Manohar Vohra
S1.2. Digital Manufacturing for Musical Applications: A Survey of Current Status and Future Outlook Doga Cavdir
S1.3. Real Time Audio Digital Signal Processing with Faust and the Teensy Romain Michon, Yann Orlarey, Stéphane Letz and Dominique Fober
S1.4. Sound Design through Large Audience Interaction Kjetil Falkenberg Hansen, Martin Ljungdahl-Eriksson and Ricardo Atienza
S1.5. Evaluating a Continuous Sonic Interaction: Comparing a Performable Acoustic and Digital Everyday Sound Fiona Keenan and Sandra Pauletto
Oral Session S2. Nordic SMC Wednesday, May 29 (14:30- 16:30) Session Chair: Vesa Välimäki
S2.1. Adaptive Loudness Compensation in Music Listening Leonardo Fierro, Jussi Rämö and Vesa Välimäki
S2.2. Toward Automatic Tuning of the Piano Joonas Tuovinen, Jamin Hu and Vesa Välimäki.
S2.3. Real-time Control of Large-scale Modular Physical Models using the Sensel Morph Silvin Willemsen, Nikolaj Andersson, Stefania Serafin and Stefan Bilbao
S2.4. An Interactive Music Synthesizer for Gait Training in Neurorehabilitation Prithvi Kantan and Sofia Dahl
S2.5. From Vocal Sketching to Sound Models by Means of a Sound-Based Musical Transcription System Claudio Panariello, Mattias Sköld, Emma Frid and Roberto Bresin
S2.6. Tempo and Metrical Analysis by Tracking Multiple Metrical Levels Using Autocorrelation Olivier Lartillot and Didier Grandjean
Poster Session 1. Wednesday, May 29 Session Chair: Hanna Järveläinen
P1.1. DAW-Integrated Beat Tracking for Music Production Brett Dalton, David Johnson and George Tzanetakis
P1.2. Interaction-based Analysis of Freely Improvised Music Stefano Kalonaris
P1.3. Mechanical Entanglement: A Collaborative Haptic-Music Performance Alexandros Kontogeorgakopoulos, George Sioros and Odysseas Klissouras
P1.4. State Dependency - Audiovisual Interaction through Brain States Patrick Neff, Jan Schacher and Daniel Bisig
P1.5. Perceptual Evaluation of Modal Synthesis for Impact-Based Sounds Adrián Barahona and Sandra Pauletto
P1.6. VIBRA - Technical and Artistic Issues in an Interactive Dance Project Andreas Bergsland, Sigurd Saue and Pekka Stokke
P1.7. Musical Tempo and Key Estimation with Directional Convolutional Neural Networks Hendrik Schreiber and Meinard Müller
P1.8. The Viking HRTF Dataset Simone Spagnol, Kristján Bjarki Purkhús, Sverrir Karl Björnsson and Runar Unnthórsson
P1.9. Performing with Sound Sample-Controlled Gloves and Light-Controlled Arms Frank Pecquet, Fotis Moschos, David Fierro and Justin Pecquet
P1.10. Melody Identification in Standard MIDI Files Zheng Jiang and Roger Dannenberg
P1.11. Automatic Chord-Scale Recognition using Harmonic Pitch Class Profiles Emir Demirel, Baris Bozkurt and Xavier Serra
Demo Session D1. Wednesday, May 29 Session Chair: Alberto Peinado
D1.1. Exciting Digital Resonators with Analogue Sound Max Neupert and Clemens Wegener
D1.2. Melody Slot Machine Masatoshi Hamanaka
D1.3. OM-AI: A Toolkit to Support AI-Based Computer-Assisted Composition Workflows in OpenMusic Anders Vinjar and Jean Bresson
D1.4. URALi: a proposal of approach to real-time audio synthesis in Unity Enrico Dorigatti
D1.5. A Sequencer with Decoupled Track Timing Silvan David Peter and Gerhard Widmer
D1.6. Musicypher: Music for Message Encryption Víctor Jaime Marín and Alberto Peinado
D1.7. A Platform for Processing Sheet Music and Developing Multimedia Application Fu-Hai Frank Wu
D1.8. Capturing the Reaction Time to Distinguish between Voice and Music Alejandro Villena-Rodríguez, Lorenzo J. Tardón, Isabel Barbancho, Ana M. Barbancho, Irene Gómez-Plazas and María-José Varela-Salinas
D1.9. Physical Models and Real-Time Control with the Sensel Morph Silvin Willemsen , Stefan Bilbao, Nikolaj Andersson and Stefania Serafin

THURSDAY, MAY 30

Oral Session S3: Augmented and virtual realities Thursday, May 30 (09:00- 10:30) Session Chair: Marcella Mandanici
S3.1. Comparison and Implementation of Data Transmission Techniques through Analog Audio Signals in the Context of Augmented Mobile Instruments Romain Michon, Yann Orlarey, Stéphane Letz and Dominique Fober
S3.2. Mass-Interaction Physical Models for Sound and Multi-Sensory Creation: Starting Anew Jerome Villeneuve and James Leonard
S3.3. Exploring the Effects of Diegetic and Non-diegetic Audiovisual Cues on Decision-making in Virtual Reality JAnil Çamci
S3.4. OSC-XR: A Toolkit for Extended Reality Immersive Music Interfaces David Johnson, Daniela Damian and George Tzanetakis
S3.5. No Strings Attached: Force and Vibrotactile Feedback in a Guitar Simulation Andrea Passalenti, Razvan Paisa, Niels Christian Nilsson, Nikolaj S. Andersson, Federico Fontana, Rolf Nordahl and Stefania Serafin
Oral Session S4. SMC tools and methodologies Thursday, May 30 (12:00- 13:00) Session Chair: Emma Frid
S4.1. A Framework for the Evaluation of Interpolated Synthesizer Parameter Mapping Darrell Gibson and Richard Polfreman
S4.2. Composing with Sounds: Designing an Object Oriented Daw for the Teaching of Sound-Based Composition Stephen Pearse, Leigh Landy, Duncan Chapman, David Holland and Mihai Eni
S4.3. Insights in Habits and Attitudes Regarding Programming Sound Synthesizers: A Quantitative Study Gordan Krekovic
Oral Session S5. Sound synthesis & analysis Thursday, May 30 (14:30- 16:30) Session Chair: Federico Avanzini
S5.1. Experimental Verification of Dispersive Wave Propagation on Guitar Strings Dmitri Kartofelev, Joann Arro and Vesa Välimäki
S5.2. Real-Time Modeling of Audio Distortion Circuits with Deep Learning Eero-Pekka Damskägg, Lauri Juvela and Vesa Välimäki
S5.3. MI-GEN~: An Efficient and Accessible Mass-Interaction Sound Synthesis Toolbox James Leonard and Jerome Villeneuve
S5.4. Combining Texture-Derived Vibrotactile Feedback, Concatenative Synthesis and Photogrammetry for Virtual Reality Rendering Eduardo Magalhães, Emil Rosenlund Høeg, Gilberto Bernardes, Jon Ram Bruun-Pedersen, Stefania Serafin and Rolf Nordhal
S5.5. Percussion synthesis using loopback frequency modulation oscillators Jennifer Hsu and Tamara Smyth
S5.6. Deep Linear Autoregressive Model for Interpretable Prediction of Expressive Tempo Akira Maezawa
S5.7. Metrics for the Automatic Assessment of Music Harmony Awareness in Children Federico Avanzini, Adriano Baratè, Luca Andrea Ludovico and Marcella Mandanici
Poster Session P2, Thursday, May 30 Session Chair: Anja Volk
P2.1. RaveForce: A Deep Reinforcement Learning Environment for Music Generation Qichao Lan, Jim Tørresen and Alexander Refsum Jensenius
P2.2. Music Temperaments Evaluation Based on Triads Meihui Tong and Satoshi Tojo
P2.3. Composing space in the space: An Augmented and Virtual Reality sound spatialization system Giovanni Santini
P2.4. Graph Based Physical Models for Sound Synthesis Pelle Juul Christensen and Stefania Serafin
P2.5. ADPET: Exploring the Design, Pedagogy, and Analysis of a Mixed Reality Application for Piano Training Lynda Gerry, Sofia Dahl and Stefania Serafin
P2.6. Chord Prediction with The Annotated Beethoven Corpus Kristoffer Landsnes, Liana Mehrabyan, Victor Wiklund, Fabian C. Moss, Robert Lieck and Martin Rohrmeier
P2.7. Sonic Characteristics of Robots in Films Adrian B. Latupeirissa, Emma Frid and Roberto Bresin
P2.8. Virtual Reality Music Intervention to Reduce Social Anxiety in Adolescents Diagnosed with Autism Spectrum Disorder Ali Adjorlu, Nathaly Belen Betancourt Barriga and Stefania Serafin
P2.9. Teach Me Drums: Learning Rhythms through the Embodiment of a Drumming Teacher in Virtual Reality Mie Moth-Poulsen, Tomasz Bednarz, Volker Kuchelmeister and Stefania Serafin
P2.10. Real-time Mapping of Periodic Dance Movements to Control Tempo in Electronic Dance Music Lilian Jap and Andre Holzapfel
P2.11. Increasing Access to Music in SEN Settings Tom Davis, Daniel Pierson and Ann Bevan
Demo Session D2. Thursday, May 30 Session Chair: Hendrik Schreiber
D2.1. Interacting with Musebots (that don't really listen) Arne Eigenfeldt
D2.2. Extending Jamsketch: An Improvisation Support System Akane Yasuhara, Junko Fujii and Tetsuro Kitahara
D2.3. Visualizing Music Genres using a Topic Model Swaroop Panda, Vinay P. Namboodiri and Shatarupa Thakurta Roy
D2.4. CompoVOX: Real-Time Sonification of Voice Daniel Hernán Molina Villota, Antonio Jurado-Navas and Isabel Barbancho
D2.5. Facial Activity Detection to Monitor Attention and Fatigue Oscar Cobos, Jorge Munilla, Ana M. Barbancho, Isabel Barbancho and Lorenzo J. Tardón
D2.6. The Chordinator: An Interactive Music Learning Device Eamon McCoy, John Greene, Jared Henson, James Pinder, Jonathon Brown and Claire Arthur
D2.7. Automatic Chord Recognition in Music Education Applications Sascha Grollmisch and Estefania Cano
D2.8. Sonic Sweetener Mug Signe Lund Mathiesen, Derek Victor Byrne and Qian Janice Wang

FRIDAY, MAY 30

Oral Session S6. Music information processing Friday, May 31 (09:00- 10:30) Session Chair: Roger Dannenberg
S6.1. Learning to Generate Music with BachProp Florian Colombo, Johanni Brea and Wulfram Gerstner
S6.2. Offline Score Alignment for Realistic Music Practice Yucong Jiang, Fiona Ryan, David Cartledge and Christopher Raphael
S6.3. Piano Score-Following by Tracking Note Evolution Yucong Jiang and Christopher Raphael
S6.4. Adaptive Score-Following System by Integrating Gaze Information Kaede Noto, Yoshinari Takegawa and Keiji Hirata
S6.5. Alternative Measures: A Musicologist Workbench for Popular Music Beach Clark and Claire Arthur
Oral Session S7. Multimodality and (e)motions Friday, May 31 (12:00- 13:00) Session Chair: Sofia Dahl
S7.1. VocalistMirror: A Singer Support Interface for Avoiding Undesirable Facial Expressions Kin Wah Edward Lin, Tomoyasu Nakano and Masataka Goto
S7.2. Audiovisual perception of arousal, valence, and effort in contemporary cello performance Hanna Järveläinen
S7.3. Dancing dots - Investigating the Link Between Dancer and Musician in Swedish Folk Dance Olof Misgeld, Andre Holzapfel and Sven Ahlbäck
Oral Session S8. Machine learning Friday, May 31 (14:30- 16:30) Session Chair: Olivier Lartillot
S8.1. Conditioning a Recurrent Neural Network to synthesize musical instrument transients Lonce Wyse and Muhammad Huzaifah
S8.2. Predicting Perceived Dissonance of Piano Chords Using a Chord-Class Invariant CNN and Deep Layered Learning Juliette Dubois, Anders Elowsson and Anders Friberg
S8.3. Belief Propagation algorithm for Automatic Chord Estimation Vincent P. Martin, Sylvain Reynal, Dogac Basaran and Hélène-Camille Crayencour
S8.4. HMM-Based Glissando Detection for Recordings of Chinese Bamboo Flute Changhong Wang, Emmanouil Benetos, Xiaojie Meng and Elaine Chew
S8.5. Towards CNN-based Acoustic Modeling of Seventh Chords for Automatic Chord Recognition Christon-Ragavan Nadar, Jakob Abeßer and Sascha Grollmisch
S8.6. From Jigs and Reels to Schottisar och Polskor: Generating Scandinavian-like Folk Music with Deep Recurrent Networks Simon Mossmyr, Eric Hallström, Bob L. Sturm, Victor Hansjons Vegeborn and Jonas Wedin
S8.7. Modeling and Learning Rhythm Structure Francesco Foscarin, Florent Jacquemard and Philippe Rigaux
Poster Session P3. Friday, May 31 Session Chair: Jean Bresson
P3.1. Autoencoders for music sound modeling: a comparison of linear, shallow, deep, recurrent and variational models Fanny Roche, Thomas Hueber, Samuel Limier and Laurent Girin
P3.2. Polytopic reconfiguration: a graph-based scheme for the multiscale transformation of music segments and its perceptual assessment Valentin Gillot and Frédéric Bimbot
P3.3. Non-Linear Contact Sound Synthesis for Real-Time Audio-Visual Applications using Modal Textures Martin Maunsbach and Stefania Serafin
P3.4. Analysis of Vocal Ornamentation in Iranian Classical Music Sepideh Shafiei
P3.5. VUSAA: An Augmented Reality Mobile App for Urban Soundwalks Josue Moreno and Vesa Norilo
P3.6. A Framework for Multi-f0 Modeling in SATB Choirs Helena Cuesta, Emilia Gómez and Pritish Chandna
P3.7. Representations of Self-Coupled Modal Oscillators with Time-Varying Sounding Frequency Tamara Smyth and Jennifer Hsu
P3.8. SonaGraph. A cartoonified spectral model for music composition Andrea Valle
P3.9. Sound in Multiples: Synchrony and Interaction Design of Coupled-Oscillator Networks Nolan Lem
P3.10. Jazz Mapping an Analytical and Computational Approach to Jazz Improvisation Dimitrios Vassilakis, Anastasia Georgaki and Christina Anagnostopoulou
P3.11. Visual Pitch Estimation A. Sophia Koepke, Olivia Wiles and Andrew Zisserman
Demo Session D3. Friday, May 31 Session Chair: Ana M. Barbancho
D3.1. Miningsuite: A Comprehensive Matlab Framework for Signal, Audio and Music Analysis, Articulating Audio and Symbolic Approaches Olivier Lartillot
D3.2. Drawing Geometric Figures with Braille Description through a Speech Recognition System África Chamorro, Ana M. Barbancho, Isabel Barbancho and Lorenzo J. Tardón
D3.3. Interactive Music Training System Daniel Moreno, Isabel Barbancho, Ana M. Barbancho and Lorenzo J. Tardón
D3.4. Copying Clave - A Turing Test Simon Blackmore
D3.5. Resonance Improviser: A System for Transmitting the Embodied Sensations of Vocalization Between Two People During Improvisation Tejaswinee Kelkar and Lynda Gerry
D3.6. Finding New Practice Material through Chord-Based Exploration of a Large Music Catalogue Johan Pauwels and Mark B. Sandler
D3.7. Internal Complexity for Exploratory Interaction Mads Hobye
D3.8. Adaptive Body Movement Sonification in Music and Therapy Christian Baumann, Johanna Friederike Baarlink and Jan-Torsten Milde